TY - GEN
T1 - N-gram chord profiles for composer style representation
AU - Ogihara, Mitsunori
AU - Li, Tao
PY - 2008/12/1
Y1 - 2008/12/1
N2 - This paper studies the problem of using weighted N-grams of chord sequences to construct the profile of a composer. The N-gram profile of a chord sequence is the collection of all N-grams appearing in a sequence where each N-gram is given a weight proportional to its beat count. The N-gram profile of a collection of chord sequences is the simple average of the N-gram profile of all the chord sequences in the collection. Similarity of two composers is measured by the cosine of their respective profiles, which has a value in the range [0, 1]. Using the cosine-based similarity, a group of composers is clustered into a hierarchy, which appears to be explicable. Also, the composition style can be identified using N-gram signatures.
AB - This paper studies the problem of using weighted N-grams of chord sequences to construct the profile of a composer. The N-gram profile of a chord sequence is the collection of all N-grams appearing in a sequence where each N-gram is given a weight proportional to its beat count. The N-gram profile of a collection of chord sequences is the simple average of the N-gram profile of all the chord sequences in the collection. Similarity of two composers is measured by the cosine of their respective profiles, which has a value in the range [0, 1]. Using the cosine-based similarity, a group of composers is clustered into a hierarchy, which appears to be explicable. Also, the composition style can be identified using N-gram signatures.
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M3 - Conference contribution
AN - SCOPUS:84873416168
SN - 9780615248493
T3 - ISMIR 2008 - 9th International Conference on Music Information Retrieval
SP - 671
EP - 676
BT - ISMIR 2008 - 9th International Conference on Music Information Retrieval
T2 - 9th International Conference on Music Information Retrieval, ISMIR 2008
Y2 - 14 September 2008 through 18 September 2008
ER -